THINGS NOT WORTH KEEPING (1999-2007)
TNWK was a collaborative authorship of poetic and visual practices. Kirsten Lavers and cris cheek brought specialist histories in poetry, site-specific installation and situated cultural practice; their common grounds included performance, bookworks, photography, video and curatorial intervention.
TNWK’s work focussed on conversation and participation, to produce ‘portraits of value’ (exploring tensions between the societal, the communal and the political), using a diversity rather than a singularity of modes and media.
TNWK refreshed conventions around portraiture, in works that nod towards the eighteenth century conversation piece; small-scale group portraits of people sharing common activities. TNWK (an acronym drawn from early work made as Things Not Worth Keeping) re-located the portrait as documenting neighborhoods of the everyday, the intersections between people, things, places and specific moments in time.
TNWK produced ‘objects’ that sparked conversations about value.
Things Not Worth Keeping Archive
we swept Trafalgar Square (2002)
THE BOOKS IN CORK
with Sianed Jones (1988-1998)
Songs from Navigation (1997)
A unique book/audio-CD publication by poet/musician cris cheek and singer/musician Sianed Jones. The book is an integration of sound scores, poems, collaborative written work and computer generate visual poems. The core theme is navigation, time zones and travel.
The CD includes co-written songs, a “long-song” and some “cyber-punky” electronic pieces by Sianed Jones.
tongues undone extracts
imperfect fit ft. Sianed Jones
from fucking great house of ghosts with William R. Howe (1997)
with Sianed Jones & Phillip Jeck as SLANT
SLANT - HIVE (1989)
Slant – Hive was released in 1989 as These Records no. 5. Slant consisted of performance poet, cris cheek, multi-instrumentalist, vocalist, Sianed Jones, the turntables and radio of Philip Jeck, Julia Doyle on double bass and Frances Knight, keys and accordion, plus guests
Chisenhale Dance Space (1981)
In 1981, cris co-founded Chisenhale Dance Space and for much of that decade worked on diverse projects alongside musicians from the London Musicians Collective, choreographers and live artists.
jgjgjgjgjgjgjgjgjg (as long as you can say it that’s our name) formed at the London Sound Poetry Festival in June 1976. After its performance at Kings College London in March 1978, jgjgjgjgjg disbanded and did not perform again.